Black Metal Satanica | 80 Minutes | Doom Films Production | 2008
Black Metal Satanica is a documentary about, well, satanic Black Metal. The focus point is Scandinavian Black Metal, mainly Swedish. It starts with a few musicians giving a brief run through on Norse mythology, the history of the vikings and their uncompromising attitude toward Christianity, which was allegedly the rooting puzzle in answering the question why Black Metal was and still are so popular in Scandinavia.
To be honest, its a little bit cheesy for my liking. Everything in the documentary are nothing new to me. Their hatred towards Christianity, Norse mythology, Satanism, you know, the whole nine yards. I was expecting something different or at least something new.
The production was a bit gloomy and dark. Certain individuals giving interviews in the dark and all, and I was like, come on. Enough with that dark imagery and go straight to the music. Nobody gives a shit about your "darkness".
Some of the interviewees, like Bjorn Almar, gave decent interviews and some were meh. I believe this was due to the fact that some of the individuals had to answer questions in english, it was a bit difficult to really make out what they were actually saying.
Being a Swedish produced documentary, the documentary gave emphasis on the influence of Swedish black metal personalities, for example, highlighting Dead and the importance of his recruitment into Mayhem as being the focal point of the wave turning of Black Metal. I would rather have the documentary put more emphasis on Quarthon and Bathory instead, if they really wanted to highlight influential Swedish figures.
The documentary also touched on the evil acts that have been associated with Black Metal in the instance of grave desecration, church burnings and what not. And I was like, come on. And when you thought it would not get more funnier, you will also have a Blair Witch Project like segment where the crew was interviewing this one mysterious figure (so mysterious that they had to distort his voice) about grave desecration and all that pure evil stuff, and then the lights went out, they heard a bang and the mysterious person just vanished into thin air. The crew then went into some jungle to look for him. What the fuck? The comedy just wrote itself.
The narrators. Oh man, do not get me started with the bloody narrators. They were trying too hard to sound evil and creepy and it ended out being funny as hell. The narratives were poorly written and was clearly written to spook everybody. And Euronymous? The grandfather of Black Metal? Really? It was called the second wave of black metal for a reason, asshole. How can he be a grandfather, if he was not from the first wave of Black Metal? If it were all up to me, that title would go to Quarthon. And Troll metal? What the fuck is a Troll Metal?
Well, this is just a poor poor production. But you can try and watch this video for the Blair Witch part. Hilarious. Sometime, I often wondered why nobody even tried to elaborate the character of its music instead of just focusing on the controversies and image. Why black metal sounded the way in it sounded. Why that particular chords or that particular progression. Anybody up to the challenge?
REVIEW: BENIGN NOR HAFEEZ / THE BULLET BELT PRESS
