Friday 3 May 2013

IMPIETY - "The Impious Crusade" Mini CD/LP 2013


New 5 song Mini Album "The Impious Crusade" CD/LP Available this June / Official Street Date: 6 AUG 2013!! More info via www.hellsheadbangers.com. Pleased to say - This One is going to tear your World apart!!! 1 song preview up from "The Impious Crusade" entitled 'Commanding Death & Destroy'.


http://www.mightyimpiety.com
http://www.facebook.com/impietyofficial

LEVIATHAN - "A Silhouette in Splinters" CD 2005


Artist: Leviathan
Title: A Silhouette in Splinters
Year: 2005
Label: Profound Lore Records

Wrest is one of the most complex and fascinating characters in Black Metal today. Barring all the controversy about his personal life, he remains a prolific and competent artist in multiple realms. He is the force behind not only Leviathan but Lurker of Chalice (my favorite album of 2006) and a contributor to Twilight, Nachtmystium and Sunn O))).

I can't praise this album enough. Whereas Leviathan is typically a project that emulates classic washed out and lo-fi depressive black metal recordings that always sound like demo tapes, you'll find no blastbeats here. This is a purely ambient venture that rivals the likes of early Lustmord. Droning layers of electric guitar slink across our conscious mental processes, navigating dark and untouched hemispheres of repressed memories. Meditative and patient, these environments quietly shriek of malevolence, misanthropy and discontent. 

Without resolution, this album eloquently leads us down a road toward hopelessness. Listening to this record is akin to watching the apocalypse unfold before your eyes after ingesting an overdose of sedatives.

1. Travelling Over The Ocean's Skull - 8:01
2. It Comes In Whispers Part:2 - 7:56
3. Particular Dis-Ease - 6:26
4. Shimmering With Horn Of Woe - 6:58
5. A Silhouette In Splinters - 10:42
6. Blood Red And True Part:2 [A Spell To Vanquish Sea Serpents] - 7:49

Download:
http://www.mediafire.com/?mhg5dz5xyzm

CADAVERIA - Death Vision (OFFICIAL VIDEO)



CADAVERIA - Death Vision. New music video from the album "Horror Metal - Undead Edition" out now (Bakerteam Records, 2013).

Artist: CADAVERIA
Track: Death Vision ('Post Mortem' Video-Edit)
Directed and edited by Raffaella Rivarolo

Buy Horror Metal-Undead Edition:
http://www.cadaveria.com/web/shop/
Visit CADAVERIA website:
http://www.cadaveria.com/
Join CADAVERIA on facebook:
http://www.facebook.com/cadaveria
Follow Cadaveria (herself) on Twitter:
http://twitter.com/_cadaveria_

http://youtu.be/ohB8DfBxCDo

BURZUM - A Lost Forgotten Sad Spirit



The Fire in the Sky is Extinguished
Blue Waters no Longer Cry
The Dancing of Trees Has Stopped
The Stream of Freshness from Cold Winds
Exists no Longer
The Rain Has Stopped to Drip
From the Sky
Still Dripping Exists
From the Veins of a Nearly Dead Boy
Once There Was Hatred
Once There Was Cold
Now
There is Only
A Dark Stone Tomb
With an Altar
An Altar which
Serves As a Bed
A Bed of Eternal Sleep
The Dreams of the Human in Sleep
Are Dreams of Relief
A Gate out of Hell
Into the Void of Death
Yet Undisturbed
The Human Sleep
And One Day
Will the Grave Be Unlocked
And the Soul
Must Return to His World
But This Time as
A Lost Forgotten Sad Spirit
Doomed
To Haunt
Endlessly

http://youtu.be/uyRUbC6F_Uc

VARIOUS ARTISTS - Infinite Drone Vol. I


Out now is the first release on Infinite Drone - a V.A. compilation of 39 tracks, and nearly 8 hours of intense Drone, Dark Ambient, Post-Rock, and more. This will also be released as a DVD with an exclusive bonus track, and most likely a HQ video of a mix of all tracks. Details for that will follow. http://infinitedrone.webs.com/

01. Vanth - Unsaved
02. Covolux - Infinite Drone
03. Ars Sonor - Hypocrisy Never Ends
04. Senselessness - Disenchantment
05. Body 13 - Where Fear Is
06. Abre Ojos - Sinus Medii
07. Pioggia D'ambra - Frequencies From Ancient Worlds
08. Onewayness - 19'57" [Marsynth]
09. King Wynter - The Eighth House
10. Kevin Lyons - Leviathan
11. Hectic Head - 3 Lighters
12. Ou Où - Maidan (Ambient)
13. The Implicit Order - Lonely Like a Highway (Toynbee Tile)
14. Foresight - You Won't Be Forgotten
15. Свобода Солнечного Мышления - Thoughtdrone
16. Octoecho - Dark Energy
17. Arcane Waves - The Sanitarium's Deepest Corridors
18. Greyscape - ATU XI: Lust
19. Kanellos - Worthless
20. Mount Analogue - Drone-Kick Me Jesus, Through the Goalposts of Life
21. L’espoir D’août – Entre les Ténèbres et L’illumination
22. Qwzczcciizxc - Qwzczcciizxc
23. Antethic - District Heating
24. Sven Meyer - Coldness SC
25. Tommaso Busatto - Allo Stanzino Per la Masturbazione
26. Illuminoscillate - Untitled
27. Barnaby Oliver - Flying Ant Day
28. Now - Electric Guitars Drone
29. Grove of Whispers (Featuring Jeff Sampson) - An Arrangement of Chromosomes
30. Vziel Projet - Unildrone01
31. Master Taurus - VoiceGuitarKorg
32. Bedawang - The Dire Nebula
33. Karl Ray - Occipital
34. Cullllt - Gan
35. T.R.I.v.M. - Dreamons
36. Undreds - Gallium Flow
37. Karl Ostinsky - Talking Picture
38. Total E.T. - Insideep
39. Pollux - Dishonor

Download:
http://archive.org/details/ID001

SAGA - by Einherje Film AS, Norway



Saga - a Black Metal Viking Biker-film with Zombies. Starring: Ted Skjellum, legendary famous as Nocturno Culto from the bands Darkthrone, Sarke and Satyricon. 

Ted "Culto" Skjellum teamed up with writer, producer, director and photographer Jorn Steen to make this future cult movie about a Metalmusic videodirector, Culto, who escalades to making a feature Viking-movie based upon the northern classic Eyrbyggja Saga. Actually a Zombie-story, about a dead Viking breaking out of his tomb, terrorizing the locals. Culto rides a Moto Guzzi, and he gets his Bikerfriends to help him as extras in this Metafilm about making a Viking-feature.

We still need some funding before we start shooting. All actors are good to go, all locations are beeing prepared. Jorn has been a proffesional photographer since 1979, he knows his business and we think this will be a future classic. This film contains all the cool stuff in one feature, this can´t be wrong! Please help us!!

We will need to raise the amount of 40.000 Euro before we start shooting in June 2013, please help us achieve this goal.

The film will be recorded in Norwegian with English subtitles or dubbed for local foreign markets.

Source: http://www.newjelly.com/projectdetail.aspx?ProjectId=651

MOLOCH - Depressive Visionen eines sterbenden Horizonts



Track taken from "Isolation der Essenz" full-length album 2010
CD available at: http://www.sabbathidrecords.cjb.net
TAPE available at: http://www.myspace.com/selfmutilationservices
Double 12'LP available at: http://www.depressiveillusions.com

"I don't want to feel this eternal pain anymore,
My thoughts like the blades run into the flesh,
leaving hundreds of cuts...
My life like a wounded bird is slowly falling down,
Where the dead trees are all around... Dead cold ground...
My tears are mixed with the blood of the wounded body...
The cries die out like an echo in the grey mountains...
The last rays of sun are fading in the coldness of apathy...
Only in its own thoughts the mankind sees the hope for life.
Melting like an ice... Life...
Death... will bring the silence.
Absurdity of existence - as the part of life...
Empty people are surrounding me,
each one is hauling his own yoke.
I see only faceless bodies...captured by self-denial.
I feel the selfness of Skuld... captured by estrangement.
Noose on the neck will become the last border... "

http://youtu.be/rJDJHeOVF1Y

MOLOCH - Ein dusterer Winter kommt Il



Moloch (ukr) - Ein dusterer Winter kommt ll
Taken from the album: Illusionen Eines Verlorenen Lebens
Released by Glorious North Productions
www.moloch.com.ua

"Night dies out with the waves of moonlight...
Black shadows of the trees interlace in the pattern...
The fog leaves its essence over the bog,
where the rain washes the ground with the cold dampness.
The trees blindly watch upwards,
as if they have to see the dance of stars.
The dim light fades with pain in the branches of the mighty forest...
Leaving behind the icy sky,
the wind avidly swallows the rain,
that, somewhere on the forgotten paths,
takes the rotten leaves from the ground,
opening its incurable wounds... "

http://youtu.be/3kBokNBROy8

JEFF HANNEMAN - Rest In Peace (1964 - 2013)


Jeff Hanneman, one of the founding guitarists of the pioneering thrash metal band Slayer, died today (on May 2nd, 2013) in Southern California of liver failure. He was 49.

Hanneman had been on hiatus from Slayer since early 2011, when he contracted necrotizing fasciitis, a flesh-eating disease that doctors believed might have been caused by a spider bite. Hanneman almost lost his arm, and was briefly placed in a medically-induced coma. After a series of skin grafts, he had been working on his physical rehabilitation, including playing guitar; the door had been left open for his return to Slayer upon recovery.

Hanneman performed on every Slayer release to date, and wrote many of the band's career-defining songs, including "Angel of Death," "South of Heaven," "Raining Blood" and "War Ensemble." Hanneman and Kerry King perfected a fiery twin-lead guitar style that propelled Slayer to the forefront of the thrash metal movement of the early 1980s, where they were crowned as one of the genre's "Big Four," along with Metallica, Megadeth and Anthrax.

Twin-guitar soloing was a hallmark of thrash metal from the start, but the particular brand of spiraling chaos that came from Hanneman and King's swapped leads created a more apocalyptic, uncontrollable atmosphere that helped set the band apart from its peers, who often opted for a more melodic approach. The band took pride in the distinction, with King telling Rolling Stone in 2009, "When we come on, it sounds like the world's going to end."

Hanneman grew up in a military family, and his fascination with warfare and violence came through in Slayer's artwork and lyrics, many of which he also wrote. His most notorious lyrics, from 1986's "Angel of Death," matter-of-factly describe the atrocities committed by Nazi doctor Josef Mengele at Auschwitz. Many mistook this interest in one of history's darkest chapters for endorsement or sympathy with its perpetrators – something the band has worked to rebut ever since.


As Slayer went on, Hanneman gradually reduced his lyrical contributions while continuing to write a significant portion of the music – including all but one of the tracks on 1998's Diabolus in Musica, as well as the song "Disciple" from 2001's God Hates Us All, which has become the band's standard set-opener in concert since then.

He developed an onstage style that became well-known among metal fans, as he was often clad in Oakland Raiders jerseys and camouflage pants or shorts, his hands blurred from ferocious picking as he hunched over a guitar emblazoned with a giant Heineken logo, the brand name replaced by "Hanneman."

Slayer formed in Huntington Beach, California, in 1982, and released their debut, Show No Mercy, the following year. Hanneman wrote or co-wrote the majority of the material, including "Die by the Sword" and "Black Magic," which are still concert staples. The band released Reign in Blood in 1986, a Rick Rubin-produced, 29-minute concentrated blast that, for many, remains the be-all, end-all of thrash metal. Two of Hanneman's compositions, "Angel of Death" and "Raining Blood," book-end the album. As the band developed into the 1990s, albums like Seasons in the Abyss and South of Heaven slowed down the tempos, opting instead to focus on eerie atmospheres and inspiring dread, while still displaying some of the ferocity of the band's earlier material. More recent efforts, including 2006's Christ Illusion and 2009's World Painted Blood, renewed the band's fascination with speed.

When Hanneman was forced to go on hiatus for health reasons two years ago, Exodus guitarist and fellow thrash pioneer Gary Holt took his place. Hanneman's final appearance with Slayer was a surprise cameo during the encore of the Big Four Festival in Indio, California, on April 23rd, 2011. He performed two of his best-known songs, "South of Heaven" and "Angel of Death."

Source: http://www.rollingstone.com
Others: http://en.wikipedia.org/wiki/Jeff_Hanneman

BURZUM - Ea, Lord of the Depths



The Head is a Head of a Serpent
From its Nostrils Mucus Trickles...
The Ears Are those of a Basilisk
The Body is a Sun Fish, Full of Stars

AHHHHHHHH EA, LORD OF THE DEPTHS!

His Horns Are Twisted into three Curls
The Base of His Feet Are Claws
His Name Is Sassu Wunnu
A Sea Monster. A Form of Ea

AHHHHHHHH EA, LORD OF THE DEPTHS!

http://youtu.be/poHmLYVX9JA

SUMMONING - Long Lost To Where No Pathway Goes



My star, I saw it high and far
At the parting of the ways
A light on the edge of the outer night
Like silver set ablaze
Where the round world plunges steeply down
But on the old roads goes
As an unseen bridge that on arches runs
To coasts that no man knows

I would not find the burning domes and sands
Where reigns the sun, nor dare the snows
Nor seek in mountains dark the landscapes of the men
long lost to where no pathway goes

But where they bloom those flowers fair
In what air or land they grow
What words beyond the world I heard
If you would seek for know

In a boat then, brother, far afloat
You must labour in the sea
And find yourself things out of mind:
You will learn no more of me

I would not find the burning domes and sands
Where reigns the sun, nor dare the deadly snows
Nor seek in mountains dark the landscapes of the men
Of long lost to where no pathway goes

There the twain enfolded,
Phantom twilight, phantom twilight,
And dim the mazes dark, unholy,

I would never find the burning domes and sands
Where reigns the sun, nor dare the snows
Nor seek in mountains dark, the landscapes of the men
Long lost to whom no pathway goes

http://youtu.be/YBfkDH3F1GA

Thursday 2 May 2013

WOODS OF DESOLATION - "Torn Beyond Reason" CD 2011


Band: Woods Of Desolation
Album: Torn Beyond Reason
Year: 2011
Label: Northern Silence Production
Genre: Depressive Atmospheric Black Metal

Woods of Desolation is a Depressive Black Metal band from Australia and was formed in 2005. Torn Beyond Reason was the band's second full lenght after myriads of demos and split releases since its formation. 

The quality of the sound in this full lenght is by far one of the best that ive heard so far. The multi layered guitars were utilized to its fullest potential creating a wide landscape of melancholic sound and atmosphere with the lead notes continued to soar high on top of the main riffs while the screaming vocals enchanted each and every song with sorrowful wails, broken but still hoping for one last breath of air. Clean melodic singing made its appearrance here and there but being heavy with reverbs and echoes, made the clean singing sounded hollow and empty.

This album contains six songs with play time reaching 37 minutes and 43 seconds. My favorite track would have to be the fourth track, The Inevitable End, which happens to be the longest track among the six. The riff and anchor melody for that particluar song is extremely melancholic and depressive. It was difficult to not let myself drown in the sorrowful and melancholic mood while listening to The Inevitable End. It does suit the title of the song rather perfectly. 

The remaining 5 each have their own gloomy moments that would made you want to stare towards a thousand miles nowhere.  Well, maybe the fifth track, November, was a bit out of place eventhough it is still a good track to listen to if you are feeling less melancholic. If you are worried that this album will contain the same riffs looped one thousand times in a song or those extremely slow paced drum beats per minute, then you dont have to worry about that with Torn Beyond Reason because there were various drum patterns incorporated here from blast beats, mid tempo to those droney ultra slow drums to everybodys liking.

I have read somewhere that the main man behind Woods of Desolation, D, took his time to craft this album and to me he did a magnificent job with each and every song in this album. One word to sum the whole album? Breathtaking. Even if you are not a fan of Depressive Black Metal, this album is still worth the experiment. I recommend this.

HAPPY DAYS - "Cause of Death : Life" CD 2012


Band: Happy Days
Album: Cause of Death : Life
Year: 2012
Label: Funeral Industries
Genre: Depressive Black Metal

Happy Days is a Suicidal Depressive Black Metal duo from Florida, United States and remains one of the better known act from the aforementioned subgenre. Cause of Death : Life is the band's fourth full length and it was released by the German label, Funeral Industries. 

I will be honest that I am not a huge fan of Happy Days but having said that, they have managed to release pretty decent albums and demos over the past few years since 2007. I liked the 2009 album, Happiness Stops Here because there were a few songs and riffs that managed to catch my ever demanding ears eventhough I could not really tolerate the lyrics.

But at the end of the day, who am I to say? To me, this subgenre had always been about personal expression, whether the listeners can relate to it or not, that would be a subjective decision. Respect should be given where respect should be given and they earned one from me for doing what they did.

Cause of Death : Life contains 15 songs spreading 1 hour 7 minutes and 41 minutes for the first disc and another 36 minutes and 43 seconds for the second disc.The song For These Wounds Will Never Be As Deep As This Emptiness contains a very good and mesmerizing lead. The same goes to the cold sound of Broken and the dark and angry Cold Aggression. Alone And Cold was a rerecorded track from their debut demo of the same name back in 2007. 8 minute mammoth of a song, I felt the eery aura of negativity creeping in after the 2 minute mark passed.  A good black metal listen indeed but suicidal? Did not quite made it there for me.

MOLOCH - "Einsamer Platz zu sterben" 7" EP 2013


Contact:
http://www.facebook.com/sergiy.fjordsson
http://www.facebook.com/Molochukr
http://www.moloch.com.ua/

Wednesday 1 May 2013

STRYNN - "Decadence" CD 2013

Strynn’s Black Metal is cold and without concessions. It evokes pain, despair, hatred. The alternation of a curt and hoarse male voice and a deep and sharp female voice emphasize on the duality between distress and violence. The atmosphere which breaks out is therefore dark, sometimes aggressive, with no frills. Co-release of Le Crépuscule du Soir productions and Mortis Humanae Productions. CD limited to 500 copies!

http://lecrepusculedusoir.yolasite.com/

ALERION - "VIII Sanctuaires" LP/CD 2012


Artist: Alerion
Title: VIII Sanctuaires
Label: Le Crépuscule du Soir Productions

Alerion, the mythical bird on the coat of arms of Lorraine. According to the Legend, Godfroy de Bouillon, Duke of Lorraine, became the first king of Jerusalem during the first holy Crusade. To summon the allegeance, he did a miracle by killing 3 birds in flght with only one arrow. The second hidden meaning of Alerion lays in a anagram from the old french Loreina. The themes of the band are obvioulsy about the french history, in particular the Lorraine History, but they are also flowing with the Occult and old mysticism. 

VIII SANCTVAIRES is not a concept album. Its source lays into the proverb from Horace, "Laudator Tempori Acti": glorifying the past. Acts like 843 or Un Siecle plus tard concerns history of lorraine (division of Charlemagne's Kingdom, the great battle from Verdun). Other acts like Nocturne Morte, Loreina or Les Sequelles de la nuit are purely black poetry through mysticism like the legend of Icaros. Musically, those thems could only be transfigured in a mid tempo style, traditional and atmospheric. And to bring the symbolic of the band, the celestial flight from Alerion, a progressive touch seals the sanctuaries together.

An album very dark and cold, with a good sense of melody.

http://lecrepusculedusoir.yolasite.com/

TRUE NORWEGIAN BLACK METAL

In deepest Scandinavia, Keith Kahn-Harris discovers social democratic Satanism
– by Keith Kahn-Harris, Tuesday, 8th July 2008

Of the many postwar subcultures, black metal is one of the most extraordinary. Arising in the late ‘80s as a reaction to the bloated success of mainstream heavy metal, the black metal underground sought to create a music and culture that were unambiguously satanic, transgressive and violent.


Although black metal has always been a global phenomenon, its birthplace was Norway – beautiful, peaceful, wealthy Norway with its generous welfare state, superb education system and excellent quality of life. In the early ‘90s the country was rocked by an outbreak of black-metal-inspired violence. A number of Norway’s unique wooden churches were burned down by black metallers – an unprecedented attack on the country’s cultural and religious heritage – some of whom were imprisoned. That wasn’t the end of it. One black metal musician, Count Grisnacht aka Varg Vikernes of the one-man band Burzum, was convicted of the murder of Euronymous aka Øystein Aarseth of the band Mayhem in 1993. Another musician, Bård “Faust” Eithun, was convicted of the murder of a homosexual stranger in 1992. More recently Gaahl, vocalist of Gorgoroth, was imprisoned for assaulting and torturing a man in 2002.

At the centre of black metal ideology lies virulent opposition to religion, particularly Christianity, embodied in the slogan “Support the war against Christianity”. This opposition stems not from a humanistic reaction to religious oppression but from a characterisation of religion as a form of weakness, a deviation from humanity’s lustful, animalistic self. The Satanism associated with black metal is rarely theistic, resembling instead an extreme form of anarchism in which compassion and community are eschewed in favour of individualism and elitism. Satanism on occasion crosses over into social Darwinism and fascism – in interviews before and after his trial, Vikernes espoused National Socialist beliefs. This tendency is compounded by the “volkisch” celebrations of pre-modern, pre-Christian national origins (such as the Vikings) often found in black metal.


Although one can find black metal scenes all over the world, Norway remains its spiritual homeland, the place where it is most developed and most notorious. Black metal as it developed in the ‘80s and ‘90s represented a rejection of everything contemporary Norway was about. In place of a stable, orderly, social democratic society, black metallers advocated a chaotic, individualistic free-for-all. The Norway celebrated in black metal is a land of forests, inclement weather and untamed wilderness, the land of the Vikings.

At the same time, the delicious irony of the Norwegian black metal scene is that it is in part reliant on Norway’s wealth and its welfare provision. The benefit system makes it easy for musicians to concentrate on making music. The well-funded education system makes musical training and rehearsal space easily accessible. The liberal criminal justice system allowed Faust, a convicted murderer, to be released after only nine years in jail and for Vikernes to record two albums while imprisoned. The Norwegian black metal scene is, as the sociologist Asbjørn Dyrendal has dubbed it, “Social Democratic Satanism”.

This often bizarre world is nicely captured in Peter Beste’s collection of photographs of Norwegian black metal scene members. Over 13 visits to the country, this American photographer immersed himself in the scene and his hard-won familiarity with the leading black metal personalities has produced some fascinating portraits.


Many of Beste’s subjects stare at the camera directly, with an uncompromising coldness. Look at the captions to the photos and they reveal pseudonyms such as Nattefrost, Samoth and King Ov Hell. The desire to create an inhuman impression is compounded by the frequent use of “corpse paint”, a kind of face painting similar to that used by Gene Simmons of Kiss, but less clown-like.

Some might find such material frightening and perplexing, others may find it mythic and powerful, still others would see it as ludicrous. It is to Beste’s credit that he avoids all these temptations in favour of developing a body of images that lay bare the ambiguities of the Norwegian black metal scene.

The most extreme images in the book are subtly qualified and questioned. Pictures of Nattefrost drunk and covered in his own shit are taken in his bathtub, as if to emphasise that his transgression is contained within the most mundane of objects. There is bathos here, but also vulnerability. The same is true of the many pictures taken of black metallers in the Norwegian countryside: in the woods, on mountains and in the snow, many of the subjects are made to appear small and insignificant (or quite simply cold). The contradictions inherent in black metal’s simultaneous celebration of untamed nature and untamed humanity are revealed in the insignificance of the black metaller next to the potency of nature.

My favourite pictures here are the ones of Kvitrafn and of King Ov Hell in full corpse paint taken in the old town of Bergen. In both pictures stunned, bourgeois-looking passers-by regard the black metallers with a mixture of puzzlement and horror. Shocking polite society is of course a classic feature of spectacular subculture. But Beste also shows that his subjects are more integrated into Norwegian society than might at first be apparent. There are pictures of black metallers with their children, in their apartments, on housing estates, on the street. There is no world but this one and black metal scene members live in it too, sometimes looking out of place, sometimes looking entirely comfortable.


What this collection cannot capture is the music – undeniably harsh, characterised by fast tempos, screams and trebly guitars, but also innovative and somehow unearthly. There is an austere, bleak beauty in the work of Burzum, Emperor, Gorgoroth and other black metal acts. If Norwegian black metallers themselves are caught between a desire for transgression and violence and the inescapability of living in Norway, black metal music is perhaps more transcendent, less inextricably tied into the circumstances of its production.

True Norwegian Black Metal is published by Vice Books

SOURCE: http://rationalist.org.uk

Tuesday 30 April 2013

SPIRIT IN ETERNAL PAIN - Le Royaume Froid (EP 2013)


This project extends beyond the conciousness and psyche of a normal human being,the main goal of svartblod, the creator of this project, is to take the listener to an abstract and beautiful world. It started out in early 2012 as a black ambient project but in late 2012 changed it's genre to Black Metal. Artwork by Dipak Pawar.

Download:
http://archive.org/details/IANP009

01. Sulphur Tangerine (Intro) - 2:57
02. Vineyards And Poison Gas - 4:11
03. Blood And Morning Jasmines - 4:08

Contribution:
INFERNUS ABYSSUM NETLABEL
http://infernusabyssum.blogspot.com
http://www.facebook.com/infernus.abyssum

LYSET - From The Mist Ov The Past (EP 2013)


Lyset is a Dark Ambient/Black Metal project from Spain. Lyset is a complex project on which lots of influences and genres are mixed; with a solid base of Black Metal, there are touches of Dark Ambient, Shoegaze, Folk, and also Noise. Lyset was founded in 2012 by the sole member Mikael Black.

Download:
http://archive.org/details/IANP010

01. True light shall be spread - 5:26
02. Beholding the mist ov the past - 7:37
03. Mist - 2:21

Contribution:
INFERNUS ABYSSUM NETLABEL
http://infernusabyssum.blogspot.com
http://www.facebook.com/infernus.abyssum

VARIOUS ARTISTS - The Essence of Nothingness - Volume 1


A new free compilation is available now:
http://www.mediafire.com/?fq8ylcqdeibuta1

01. Fifteen Dead - NecroCrust
02. Fregoli Delusion - 02 II (Epiphanies)
03. Hæresiarchs Of Dis - Ensorcelled by Khaos*
04. Imago Metus - Moral Nihilism
05. Narbeleth - Dark Primitive Cult
06. Omegathrum Moon - The Devil's Orthodox
07. Turdus Merula - Casus
08. Diablery - Vanity of Darkness
09. Inverted - Enuma elish
10. Windstorm - Eternal Gods Forgotten
11. Lux Serpent of Eden - Die In November
12. Malorum - Rise Of The Doomed One
13. SOBS - Diabolical Mighty Darkness

Chris | Capricornea
graphic design - digital art - drawing - typography
http://capricornea.blogspot.com/

Compilation | Le Crépuscule du Soir Productions
http://lecrepusculedusoir.yolasite.com/

MAQÂBIR - Cold Death of the Earth (demo version)



http://youtu.be/I-HqaDH1vhE

Sunday 28 April 2013

ALTUM AGONIAM - Siniestras Perdiciones (Single 2012)


Altum Agoniam is consists of Necrolord Darkcrow Daemon: All Music (Mantus, Blasphemer, Infernal, ex-Iblish), Lord Klisgor: Vocals (Lost In Darkness, Yogth Sothoth, ex-Hastur) and Torpor: Drums (Misere Nobis, Dreariness).

Download:
http://archive.org/details/IANP008

01. Siniestras Perdiciones - 10:26

Contribution:
INFERNUS ABYSSUM NETLABEL
http://infernusabyssum.blogspot.com
http://www.facebook.com/infernus.abyssum

FILSUFATIA - Senja Murung



http://youtu.be/qEMiwEku3iQ

U-731 - Mannheim (Free Digital Release)


A rallying war hymn sounds. The glorious march of a dead empire. Ghosts of their conquest and hopes of victory echoing on for eternity. Trumpets, war drums and enthusiasm. After the opening ceremony the crowd applauds as a solitary voice speaks to them of triumph and victory. Things turn sour. All the hopeful promises within the speech are slowly molested by a throbbing wall of noize. War march percussion and chanting of battle or rebellion (Of which I am unsure). Feedback and increasing intensity. The speech rings on. The march goes on. The noize grows thicker. It is as if the words spoken are polluting the air. Filth and grime building. Another failed system in the process of promise and decay. Deep pounding drums. Silence. He speaks. The sounds of enslavement and labour. Clang of metal. Buzzing of machinery. He speaks on. Promising, promising, promising. Always promising. Things grow increasingly bleak by the second. We are in the belly of the beast. Midway through this monolithic tribute to failure. Almost 20 mins in length. Various speeches from forgotten history are heard amidst the restless machines and slaves. They speak of many things but any hopes of a silver lining are long since forgotten. Out of silence bombs burst. Shrapnel pierces the heavens. A choir of angels sing a song of woe to humanity backed by the percussion of broken glass. Dense electronics. Whir of chopper blades. Thunder cracks and rain falls. The angels only watch and sing. Electronic noize begins to cut through the beautiful sorrowful atmosphere and ambience presented here. It can not hide the sadness try as it might. All fades into the sound static from an old vinyl. As if a fragmented memory of a lone Veteran who survived these hellish nightmares. Billie Holidays - Strange Fruit Plays on through the emptiness. Bitter memories of regret and loss are all that remain. http://oppressiveresistancerecords.bandcamp.com

REVIEW: ABATTOIR / OBSKURE PANDEMONIUM WEBZINE

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